Results 1 - 10 for Slendro

Volume I: Slendro Contents
Sekar Macapat Pucung laras slendro parher nem Sekar Macapat Gambuh laras slendro pathet nem Sekar Macapar Gambuh (version 2) latas slendro pather nem pathet sønga Gendhing Gambir ...
http://www.gamelan.org/library/notation/pcvocalbook/slendro/sl_all.pdf
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The Vocøl Notøtion
Sekar Macapat Pucung laras slendro parher nem Sekar Macapat Gambuh laras slendro pathet nem Sekar Macapar Gambuh (version 2) latas slendro pather nem pathet sønga Gendhing Gambir ...
http://www.gamelan.org/library/notation/pcvocalbook/slendro/sl_title_contents_ack.pdf
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JAVANESE GAMELAN TERMINOLOGY
More animated than slendro nem , it is paired with pelog nem played in the early afternoon and the late evening. Of the three slendro pathet , it most often uses barang miring .
http://muse.calarts.edu/~drummond/gamelanGlossary.pdf
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INTRODUCTION TO JAVANESE GAMELAN Notes for Music 451 (Javanese Gamelan ...
Sléndro kenong are 2 3 5 6 1, pélog kenong 2 3 5 6 7 1. In the tumbuk nem gamelan (where the tuning of pitch nem (6) in the sléndro set is the same as pitch nem in the pélog set), ...
http://sumarsam.web.wesleyan.edu/Intro.gamelan.pdf
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Slendro

http://robertcasteels.com/file/download/134
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Sindhènan 1 Wangsalan
Practise the cèngkok transposed up one note in sléndro, e.g.: 1 2 y 1 y t < 2 3 1 2 1 y Wit-ing klå-på Wit-ingklå-på This transposition essentially ...
http://www.langensuka.asn.au/teaching/Sindhenan_1.pdf
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Ladrang Diradameta slendro nem
Ladrang Diradameta slendro nem.PDF
http://nygamelan.com/wayang%202004_files/Ladrang%20Diradameta%20slendro%20nem.pdf
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Pieces Gender Garapan
Introduction ..... 1 Ayak-ayakan laras slendro pathet sanga ...
http://digitalmusics.dartmouth.edu/~larry/gender_book/08.gender_pieces.pdf
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7456 GAMELAN OF JAVA VOL 1
Gendhing Bedhayan DURADASIH slendro manyura Ketawang Kinanthi Saya nengah denya adus, andhe Lara laraning kinanthi Kaserek roning tarate bang, andhe Tinubing maruta kengis Kagyad dening ...
http://www.lyrichord.com/linernotes/LYRCD7456US.pdf
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7301 JAVA - LAS
Slendro is a five-tone scale and pelog, a seven-tone scale, although a five-tone pelog is frequently employed. Slendro is considered to be more masculine, exalted, and festive, while ...
http://www.lyrichord.com/linernotes/LAS7301US.pdf
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